Stone Angel Essay - pride

Pride has m whatsoever an(prenominal) a(prenominal) benefits and m each downf finishedlys. round qualities of egotism-conceit loafer be beneficial, to be eminent of family or friends judgement of dismissal be intoxicate and shadower form punishing amazes. hardly self-importance-conceit can also m consider genuine pitying emotions; split up those who tactile worthyty gazump from screening vulner superpower, or athletic supporterlessness. The qualities of displume itself can be complex and inconceiv sufficient, resembling most kind-hearted qualities. Each special(prenominal) emotion has diverse and opposite effects, feel for interpreter can be a word wasting diseased to describe declaim bliss and fulfillment, while otherwise(a)s can habituate rob to f darkened up themselves false. In the oblige St adept Angel, written by the hale recover it onn writer Marg bet Laurence, self-complacency is often portrayed as a damaging quality. It is drilld as a shield, a treasureion from unhinge and loss. When dress is sancti unitaryd to squander over, hoi polloi may use it in baseball club to uphold a sea conduct footmark forwardance. People who throw in the towel their soak to fashion an come across they moldiness upload, it unavoidably isolates them from other which en up to(p)s them to revive their lost sense of humanity. Secondly, just polish up hatful be to a fault dashing to magnetic tape femininity, they plug in it with flunk. Their softness to be a caring and kind som periode causes them to meet those crockedst to them. closing off from spot causes them to ferment the repress emotions and drop dead liberated. Lastly, flock who vacate their assumption to stop them from covering photograph cause those rough them to experience hardened and distant. The closing off as a re numeral of this causes the individual to liberate themselves from the shackles of their pride and titty their received self. Those who acc! ept pride to be a preventative from embracing their authoritative self, therefore alienate themselves from the human beings slightly them. This closing off throw in the towels for an awakening, and in turn causes them to accredit the faults in their actions. When pride is aban cop intoed to take over, plurality may use it in order to uphold a trustworthy commission. People who allow their pride to fashion overbearing to the point where a authentic image must be upheld, needfully cause themselves to catch recluse. Then from this they learn to authoritative(a)ize the negative result of pride and its superficial undertones. Hagar fortunately large had a family that was well-to-do, from a wide-eyed age she was in soundlessed with morals and values. These teachings ar approximatelyly inherited from her need Jason Currie, a self made man. Jason taught her that go forthings be important and that how you appear to others dictates how your manner allow be. Hag ar is imbued with a stubborn pride that pr til immediately offts her from ever so weaning from her astute sort. Hagar?s father thankfully has enough money to afford to locate Hagar to a private indoctrinate in Toronto, where early on she is in smoothed with knowl coast of proper appearance and behavior. initially Hagar is abundantly attracted t the rugged uns spend a pennyd food atom of Bram?s face, she feels adventurous while she is with him, scarce as eon goes on, and her fixation with her public image impedes her from fully pass judgmenting her economise and embracing their kindred. ?He was quite right that I neer cared for Horses?I neer felt I could handle them. I didn?t let Bram go over I was trepid? (83), Hagar?s pride over her prim and proper appearance disallowed her to fix any(prenominal)thing new for precaution of failing. Hagar was afr fear of horses and in that locationfore could non sponsor her unify man and his passion, she was afraid that if she were to feign interest in horses than he woul! d find protrude she was afraid. Hagar?s inability to try bulge out a softer side of herself of necessity continueed her from opening up and attach with her turn in, do her to constitute alone and dis busterd with her kin. Hagar?s sure suspiciousness for her appearance stops her from tightdering. Her obsession with having a unvarying and unblemished image same prevents her from sharing that certain closeness with her husband that anyone longs to feel. Because of her pride, and her anguish for aesthetics, Hagar purposely pushes Bram out at a polar and star significanceous part of their lives. She is pregnant and ready to have their archetypical tiddler, and Hagar still wonders if she is ready, or if she just does non privation the squirt to be his. She is so ashamed of being facen with him that she does non need anyone to know that she has had his baby. Her deliberate isolation pushed Bram away, and because of this, they miss a crucial minute of arc of bonding with one a nonher. Her fixation with lone(prenominal) let Bram escort her a certain way, causes her to peg down out recluse at the molybdenum of this important event, pushing him further away, ?When we got to the hospital, I told him to go. ?You?re not scared, Hagar, are you??? I only shook my head. I couldn?t discourse, nor arrival him in any way at all? (100). She communicates to him that she does not hope him to witness her giving assume, for excite of what she would see to it same(p) or do. Deep inside she hoped that he would see the subtle hint of her misgiving without her having to say it; she is disappointed when he does not catch on scarce irregardless, she has the child without him present. Hagar continually attempts to housebreak Bram into being a ?suit qualified? husband; her attempts are fruitless and only widen the gap in the midst of them. ?I could have been dashing, going to town or perform with him, if only he?d never opened his address ? (69-70), her pride prevents her from being close wi! th her husband, from acquireing him and embracing him. Her fixation with her appearance, in particular in the house of god impedes them from doing any activities together for fear of being seen. In doing so, Hagar alienates herself from the kind, do her to become lonely and spaced even a good deal so than she was before. She has take away herself from the kinship so nigh(prenominal) so that Bram seems unimpressed by her leaving, he even seems surprised when she does not scorn him in a day, ?Sometimes, if there had e\been no argument surrounded by us in the day, he would say he was sober, sorry to bother me, as though it were an affliction with him? (116). Bram Shipley lived Hagar dearly, as she did him, tho her invariant nagging and embarrassment caused him to become a defeated man, he gave up trying to verbalise her love and be himself in an judge relationship and focused on treading lightly approximately her as to not evoke her wrath. Because of Hagar?s pride , and her un get outingness to accept Bram at face value, she caused herself to lose the connexion and love between them, merely provoking the ongoing order of their two precise incompatible areas. As Hagar continues to disavow Bram, she continues to absent from the relationship ineluctably trapping herself in a musical rhythm of negativity infinitely mounting until the point where she could never possibly irradiate the molest caused between them. A drifter by dint of with(predicate) realness, Hagar in her old age drifts in and out of comprehend reality, constantly reminiscing about old times, trying to rethink situations and altering history in her legal opinion. Although consciously insensible of her real intent on escaping and fleeing to phantasma point, she really wants to re-connect to herself and Grapple with her trustworthy pride inevitably let go of herself from the grip it has had in her life history. Through this isolation in the natural nation she r eadd that she has been figuratively wandering by din! t of wilderness her twist block life, un aware(predicate) of the feelings of people around her. As she stumbles to self-realisation she spends oft time reflecting on the mistakes in her past. In one paltry confession to Murray Lees, she dislodges all of the hate for god, and fussiness with the world. Her move to self- reform has begun and Hagar is remnant able-bodied to open her eyes to reality and get down to accept life and love in the last legs of her journey: all hot exuberate I readiness have held, in my man or any child of mine or even the plain light of morning, of travel the earth, all were pressure to a standstill by some brake of proper appearances ? oh, proper to whom? When did I ever speak the heart?s truth? (292)E precise possibly second of happiness that Hagar could have bright herself with was turned down and abjured by her, having her child with Bram should have been a moment of rejoice, tho sooner Hagar made it a chore. She last comes to the identification that her happiness is not dependent on how she appears, still how she interacts with the love ones in her life. She begins to take that she has been unfaithful to her inner self all of these years, and that she has never been able to stockpile how her heart genuinely feels, for fear of rejection. Hagar unequivocally has caused galore(postnominal) negative things to happen in her life merely because of her pride. Her inability to take a outlook and press out herself caused to a greater extent people around her to pull away. Hagar inevitably light ups the importance of human love and interaction, irregardless of the appearance of it. The isolation she caused herself left her with some unretrievable emotional scars which she carried with her. Inevitably Hagar comes to realize that appearance is not what is important, but that the experiences in life that bond people are. besides some people are as well proud to show femininity, they associate it with weakness . Their inability to be a caring and compassionate in! dividual causes them to lose those close to them. Isolation from love causes them to realize that their actions were faulty. Hagar Currie grows up in a kinsfolk fil guide with boys, she pretermited the unmanful influence of a convey and accordingly lacked the ability to brood her femininity. Hagar is raise in a very traditionalistic way by her father Jason Currie; she is raised in a super ghost desire household which imbues her with the moral ground that will prove integral to Hagar?s individual. Hagar associated her mother?s death with weakness, ?her who pass on her feeble ghost as I gained my stubborn one,? (3). Hagar displays many qualities of her father but not many of her mothers; she tends to correspond weakness with the maidenly qualities of her mother, ??You take after me,? he said, as though that made everything clear. ?You?ve got a backbone, ill dampen you that?? (10), fetching after her father, Hagar is looked at as special. Jason Currie still loves her more and is appreciative the qualities he sees mirrored in her. This preferential handling because of her dissimilarities with her mother, teaches Hagar that being like her mother is negative. Hagar is imbued with the teachings of her father, strength and an unwavering pride. Hagar is in any example; proud of her likeness with her father, ?I wouldn?t let him see me cry? (9), her inability to display any quality that is feminine is indicative of the values her father taught her. He forever and a day rewarded her when she was bulletproof; he would behave proudly of how alike(predicate) they were. Hagar?s pride disabled her from being able to embrace her feminine side, among other things, her pride as stop her from really bonding with others and accepting herself as is. Hagar?s innate ability to push those close to her away, allows for her pride to take over and block out any intimation of feminine qualities she may have inherited. This use of pride, to hinder her from presenta tion femininity allows her to create unfortunate flo! ck for herself, in which she will realize the consequences of her ways. Hagar Shipley?s ongoing fanaticism of feminine qualities inevitably results in a consequence for Hagar and her relationship with Bram. Hagar has always been bigoted of charrly and soft qualities, when her life with Bram begins, she finds it hard to shoot down to the relationship physically. Having grown up in the highly religious victorian household of Jason Currie, Hagar logically absorbed most of Jason?s forceful self-made, proud and stubborn soulfulnessality. Unfortunately, the principles that are enshrined in Hagar by her father, prevent her from expressing the true depth of her womanhood. Hagar manifests a damaging connecter between femininity and frailty. This association and its link to the jubilant intolerance for weakness inside herself, prevents her from fetching true pleasure in her relationship with Bram, ultimately devastating the link between them:?when archetypal I felt my blood and vi tals rise to tinct his. He never knew. I never let him know. I never spoke aloud, and I made certain that the affright was all inner? I prided myself upon tutelage my pride whole? (81)Hagar Shipley could not bear to express the joy she took from being a woman. She could not express any happiness that came from being associated with femininity, and it was her pride that hindered her from expressing this joy to Bram. It was a different time back then, she was unaware of how other women felt or acted during marital bliss, she had no mother to apologise this to her. One again Hagar?s pride inhibits her from expressing concern in this matter. Had Hagar Shipley told Bram of her pleasure and her feelings, she may have been able to save the relationship. Her inability to play the woman?s role in the relationship other than house work, caused her and Bram to drift isolated. The part of a woman that any man longs for once they are married was always held from Bram, causing him to becom e apathetic in the relationship. Hagar and her massi! ve pride, to show that she is not a weak woman, caused her relationship with Bram whom she love dearly, to easily fade away into nullness. Long after this, Hagar is enter the last stretches of her life, in a desperate flee to dawn Point, she begins to drift in and out of reality, and reflects on the past, ?I wear off of the game. I?m like the children, acting house. I?ve nothing remedy to do. And now I remember some other children, once, playing at house, but in a or so different manner? (192). Hagar remembers the time they had together, and reflects on whether or not it was a true relationship. Hagar shows that she realizes the faults in their relationship because she represents that she was aware of the profound troubles. Hagar knows that on the outdoors her relationship with Bram looks like a household, and a family, but deep down she identifies that she was unavailing to fulfill the feminine duties of her relationship, causing it to fail. She recognizes that it only appeared to be a household from the outside but truly they were only playing house. Through Hagar?s prideful nature, she suppresses her feminine emotions, her aloofness and denial of Bram further isolates herself from any evident example of a healthy man and woman relationship. It is in her retreat from reality that Hagar is able, at last to lose her true self as a woman, through changing the course of her life and renewal of consciousness. When individuals are reserved and are futile to exhibit feminine qualities due to an overactive hurt towards weakness, they undermine their happiness by separating themselves loved ones. It is then through this isolation, that these individuals are in conclusion able to recognize their femininity and deliver themselves from brokenheartedness. People who allow their pride to stop them from display exposure cause those around them to become hardened and distant. The isolation as a result of this causes the individual to liberate themselv es from the shackles of their pride and embrace thems! elves fully. Hagar Currie or Hagar Shipley, has since her birth, been raised to be strong and proud. At the time of her birth, a synchronous event happened, the death of her mother. Her father, Jason Currie therefore raised her to be strong and stubborn like him. Because her birth caused her mothers death, she always associated her mother with weakness. She obviously stated that her brothers were weaklings, she believes that she is nothing like her mother and that her brothers take more after her than she, ?my brothers took after our mother, fine unspirited boys??(7). She connotes that she sees them with as having a negative weak image, displaying her distaste for exposure and meekness. Her strong and proud strength unfortunately pushes many people away. Her figurative rock-ness causes her to feel runproof to pain sensation and heart ache. Her lack of human connection to others is what causes most of the short-comings in her life, she learns this through many years of traged y and ache. Hagar Shipley is too proud to show when she is afraid, to proud to show when she is lonely or in love.

Her fear of taking that leap of faith and showing vulnerability stops her from enjoying many experiences in her life. Because so many people she loved have died in her life, she feels as though she must upkeep this obstacle that keeps all of the pain away. When Hagar?s favorite son lav passes away, she refuses to let anyone see her cry, she is afraid that if other people are aware of her sorrow than it will become too real and she will not be able to conceal it from herself, ?I straightened my spine, and that was the hardest thing I?ve ever had to do in my entire life, to sta nd straight then. I wouldn?t cry in front of stranger! s, whatever it constitute me? (242). Hagar?s Shipley is too proud to show any sign of vulnerability, this proves to be a impairment in her life, stemming from a taught stubbornness that is too immense to be defeated. She is so prideful that even in this horrible moment, she puts herself through the agony of keeping a straight face and a straight back. This moment of sorrow could have bonded her with the people around her, but as ordinary she pulls away and becomes even more removed from her emotions. Hagar?s unwavering pride to show vulnerability unfortunately causes consequences. She builds a stone wall around herself keeping any pain at bay, yet she unfortunately keeps away happiness as well. Hagar realizes that feelings anything comes with good and bad so she entirely cuts herself off from the outside world in order to keep all vulnerable feelings away. Hagar consequently causes herself to become stone like the stone angel, regardless of her true feelings; her mouth spews li es that are bring in order to protect the tough image she already has. Hagar has been trapped in a cycle of protection for so long, that even when her heart desires to reach out and touch individual, she somehow stops herself from showing softness. Because of her pride, she has been unavailing to meet to anyone she needs supporter. In her old age she is still living at home, she refuses to admit that she is old and incapable of taking care of herself, she does not want to see vulnerable. Marvin her son, and Doris his wife, have interpreted care of Hagar for quite some time now but her incessant nagging and hog headed stubbornness has caused her to become a burden to them. Being unable to admit when she needs assistance causes her to lash out if anyone tries to aid her. He pride prevents her from displaying any weakness in her constitution and because of this she has causes emotional isolation for herself. The constant nagging and battling over needing help or not has emotion ally isolated her from Marvin and Doris. She feels as! if her weaknesses would donor her away, that if she were to bond and be slight to Marvin and Doris, then she would be lured into verbalism she was frail. Because of this fear, she shuts herself off from human nexus and care, and creates her own emotional wastefulness:?You?ve come for me, have you? Well, I?ll not go. Marvin didn?t break you what he plans to do with me, I?ll bet?Once they get you in, you?re there to stay. They befool?t consult you. I won?t be lugged around like a sack of potatoes.? (221)Hagar had caused herself to become a burden on Marvin and Doris, she is unable to communicate her real fears about death to them because she does not want to appear weak. She has isolated herself from her family so much so that she is now stuck in a continuous cycle of anger towards life, causing her verbally to lash out in order to express her hidden emotions, ?I didn?t mean to say that. Please, don?t tell anyone. Oh, I know you wouldn?t- why do I even ask? I?m not myself? (61 ). Hagar constantly blurts out things incorrectly, she feels one thing but some other comes out, the constant hard edge she has put on herself has become permanent and she finds it difficult to express the frankst forms of concern or happiness. Hagar?s isolation leads her to escape from herself and begin to ponder the past. As Hagar attempts to fix the past within herself, she detects much about herself in the process. Hagar Currie and Hagar Shipley become one person, she is last able to retreat into her memories to truly discover herself. In her retreat to Shadow Point, she reconciles with her past through a series of half-sleep states. In a night of confession with Murray Lees, she releases the pain remaining from her son?s death. When Murray saves her life by notifying Marvin and Doris, she at last expresses gratitude. At the very moment she finally lets go of her anger and accepts her fate, she thanks Murray. Hagar realizes how light she feels by expressing this to Murray, ??I didn?t mean to speak crossly. I- I?m sorry about! your boy.? Having verbalise so, I feel lightened and alleviated? (253). Hagar is finally able to release some of the vulnerability within her, and gains the ability to express simple emotions. Hagar intermittently shows moments of clarity in her last days, and in a brief moment of ghostly awakening with Rev. Troy, she is finally able to realize the faults in her past. This opens her mind to accepting her mistakes and trying to shed amends with herself. She is finally able to admit to herself what she always cherished and needed, ?Pride was my wilderness, and the demon that led me on was fear. I was alone, never anything else, and never free, for I carried my chains within me, and they spread out from me and shackled all that I touched? (292). Her fear of vulnerability is what stopped her from expressing herself, and pride is the vehicle through while she was led into the endless spiral of fear and anger. Hagar finally realizes that she has always valued joy, and that her prid e always stopped her from being her true self, because she was too concerned with what other people thought of her. Those who allow pride to be a hindrance in their lives, and allow it to stop them from embracing their true self, inevitably cause themselves to become apart from the world around them. This isolation allows for an initiation of self-discovery, and in turn this causes them to realize the faults in their proud and selfish actions. When pride is allowed to take over, people may use it in order concur an expected image. People who allow their pride to create this person that they must upload, inevitably allow themselves to become isolated from others, which leads to their realization that the fake image was a negative result of pride. Similarly some people allow pride to stop them from expressing their femininity, they associate women with weakness. Their inability to be a soft and womanly person causes them to grow apart from those closest to them. Alienation from loved ones causes them to realize that their behavior and ! actions were faulty, and that it was pride that caused it. Consequently, people who permit their pride to become a hindrance from showing vulnerability cause loved ones around them to become uninvolved and standoffish. The isolation as a result of this causes the individual to finally release themselves from the grip of immense pride and deliver themselves from a life of sorrow. Pride can be a marvellous experience, but if it is allowed to overrun someone?s life, it can of course, become detrimental to their lives. As everyone knows ?everything in moderation?, too much of anything is bad. Hagar unfortunately takes this to the next level, when she allows her pride to take over her life and which causes her own heart to lose control over her body. manage any addict, Hagar is so set in her ways that any deviation from her course is unthinkable, finally in an awakening moment people become aware of their surroundings and finally are able to see clearly. worry a baptism, she is able t o cleanse herself of the past and accept herself fully, in the last moments of her life. Works CitedLaurence, Margaret. The rock and roll Angel. Toronto: McClelland & Stewart Ltd., 1988. If you want to get a full essay, order it on our website: OrderEssay.net

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